Volodymyr Runchak. Messa da Requiem in seven movements for Accordion

Language: Ukrainian-English
Number of pages: 20

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Volodymyr Runchak. Messa da Requiem in seven movements for Accordion

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Sheet music with compositions by Volodymyr Runchak for Accordion / Bayan / Accordeon / Akkordeon /
Fisarmonica / Harmonika / Harmonica / Trekkspill / Dragspel / Harmonikka / Bajan / Akordeon:

V.Runchak. Сhinese Diptych No.2 for Accordion	V.Runchak. Sonata No.3 for accordion	V.Runchak. So It Was. For Flute and Accordion
V.Runchak. Bachiana. Meditations on B.A.C.H. For Accordion.	V.Runchak. At the Portrait of Paganini. For Accordion.	Volodymyr Runchak Imitating Shostakovich. For Accordion.	Volodymyr Runchak. Yin and Yang. the Harmony of Opposites. Diptych for Accordion
Volodymyr Runchak. Vladislav Passion Symphony for accordion and orchestra (Score with Parts)	Volodymyr Runchak. Two Confessions for Accordion	Volodymyr Runchak. Music about Life, an Attempt of Self-Analysis (quasi sonata No.2) for Accordion in Two Movements	Volodymyr Runchak. Slob-Аrt, The Art; To Each His Own for TWO Accordions
Volodymyr Runchak Kyrie Eleison. For Violin and Accordion	Volodymyr Runchak Kyrie Eleison. For Cello and Accordion	Volodymyr Runchak Hutsul Mosaic. For Violin (Domra) and Accordion	Volodymyr Runchak Hutsul Mosaic. For Clarinet in Bb and Accordion
Volodymyr Runchak. An Album for Children and Youth in eight parts for accordion	Volodymyr Runchak 1) Suite No. 2 "Ukrainian" 2) Suite "Accord Is ON - Accordion"	Volodymyr Runchak Messa da Requiem in seven movements for Accordion

Volodymyr Runchak (12 June 1960) - Ukrainian composer and conductor, laureate of numerous international competitions of the composers. He has wide artistic interests: creation of music for symphony and chamber orchestras, small ensembles, soloists, chorus, conductor’s activity includes performing of modern Ukrainian and foreign composers’ pieces, organizational activity covers holding international and All-Ukrainian festivals and concerts "New Music in Ukraine". V. Runchak’s pieces are successfully performed at various international festivals of modern music in Ukraine and abroad. V. Runcak’s recitals are held in Kyiv, Kharkiv, Lviv, Lutsk, New York, Munich, and Paris. His pieces are published by: 4'33'' - Germany, Agenda edizioni musicali Вologna - Italy, Astra - Poland, New Consonant Music - Belgium, "Kyiv" Chamber Chorus Library, and recorded by: Aurophon, Stadt Witten - Germany, Sub Rosa - Belgium, Cambria – the USA. V. Runchak is a propagandist of modern art of music. For three years he has been hosting the New Music in Ukraine broadcast on the National Radio Company of Ukraine Third "Culture" Channel. He initiated the performances of some orchestral and ensemble pieces of such composers-classics of the XX-th century as D. Shostakovich, E. Varese, L. Nono, K. Stockhausen, G. Ligeti, L. Berio. During his conducting practice V. Runchak premiered more than 400 world and Ukrainian contemporary music pieces. Being a conductor he performs with the "New Music in Ukraine" Chamber ensemble, founded by him in the 1988-1989-th season. The band together with the "Atlantic" Recording Company issued 10 discs with the pieces of modern composers. As a guest conductor performs with National Symphony Orchestra of Ukraine, National Odessa Philharmonic Orchestra, National Radio Broadcasting Company of Ukraine Honoured Symphony Orchestra, with symphony and chamber orchestras of Lviv, Odessa, Kharkiv, Zaporizhia, Luhansk, Rivne Philharmonics, with the music bands of Kazakhstan, Bulgaria, Israel, France. In 2007/2008 and 2010/2011 seasons worked as the Head guest conductor of the Kara Karaev State Chamber Orchestra of Azerbaijan. V. Runchak - Artistic director of the International Festival of New Music "Kharkiv contemporary" and All-Ukrainian Music Festival "Ukrainian Day of the accordion".

"V. Runchak found his personal balance between the stylistic and technological limitations and the new freedom. In his works one can hear the courage of the author’s expression which goes far beyond the limit of belonging to any composer’s school. Often, the avant-garde means are the only means for him." "Frankfurter Allgemeine Zeitung"

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