Victor Vlasov. Concert Triptych on the theme of the painting "The Last Judgement" by Hieronymus Bosch.
For accordion (bayan / accordeon)

Language: Ukrainian-English
Number of pages: 28

Difficulty level: Beginner - Intermediate - Advanced

Here's zipped demo in JPG format

Content:

Victor Vlasov. Concert Triptych on the theme of the painting "The Last Judgement" by Hieronymus Bosch"

1. Paradise
2. Temptation
3. Inferno

*Price: 15 €

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Other versions of: Victor Vlasov. Concert Triptych on the theme of the painting "The Last Judgement" by Hieronymus Bosch" for Accordion (Bayan):

Version for Accordion / Bayan SOLO	Version for INSTRUMENTAL ENSEMBLE: clarinet, cello, piano and accordion

Video demo: Victor Vlasov. Concert Triptych on the theme of the painting "The Last Judgement" by Hieronymus Bosch.
Performed by: Vladimir Gitin - clarinet, Anna Mamalyzhenko - cello, Denys Budnik - piano, Iryna Serotyuk - accordion (bayan)

(Attention! The piece in this book is for bayan / accordion SOLO.
Instrumental ensemble version is in this sheet music)

Video demo: V.Vlasov. Concert Triptych on the theme of the painting "The Last Judgement". Part I - II.
Performed by Serhy Shamray, accordion (bayan)

Video demo: V.Vlasov. Concert Triptych on the theme of the painting "The Last Judgement". Part II - III.
Performed by Alexey Mykitenko, accordion (bayan)

In his music, that consists of three parts as well, Viktor Vlasov often uses methods of polystylistics.

The first part ("Paradise") can be seen in the unmistakable relation with impressionism. Intricate melodic, spicery of its harmonies, unstableness of mood, finery, delicacy - all of them depict the picture of the undisturbed paradise.

The second part ("Temptation") bears baroque features that, for the first time in music, in a fullest way exposed its possibilities of profound and multiaspected embodiment of the world of human spiritual reflections.

All the music within the third part ("Inferno") testifies inevitability of punishment. Resorting to most contemporary, vanguard musical means, such as sonorous sound, extra-musical complexes, clusters), the composer achieves infernal, destructive character of his music.

The author, a brilliant bayan player and expert, uses a great range of the whole arsenal of modern means of bayan playing. For example, to achieve the most powerful, all-embracing apocalyptic sound, he was the first in bayan playing to use the five-lined musical notation. This piece was firstly performed by a famous Ukrainian bayan player Pavlo Fenyuk.

A.Semeshko, O.Kmit

Sheet music (partitions) with compositions by Victor Vlasov for Accordion / Bayan / Accordeon / Akkordeon /
Fisarmonica / Harmonika / Harmonica / Trekkspill / Dragspel / Harmonikka / Bajan / Akordeon:

V.Vlasov. 1) Scherzo; 2) Tarantella	V.Vlasov. Toccata	V.Vlasov. Night Watch. For accordion DUO	V.Vlasov. 1) Bossa Nova; 2) Odessa Rap. For accordion instrumental ENSEMBLE: DUO
V.Vlasov. 1) Barrel-Organ; 2) Ukrainian Dance; 3) Little Polka; 4) Etudes	V.Vlasov. 1) Waltz; 2) Reed Pipe; 3) Spring Song; 4) Etude	V.Vlasov. 1) Polka; 2) Twig of Labrador Tea Flower; 3) Prelude; 4) Etudes	V.Vlasov. 1) Little Rain; 2) Friends; 3) Etudes
V.Vlasov. 1) Basso Ostinato - for accordion TRIO; 2) Odessa Patio - for accordion and violin.	V.Vlasov. Odessa Album Leaf. Adaption for accordion DUO by O.Mishchenko	V.Vlasov. Sonata Impromptu (Bukovinian) for Accordion 1985	V.Vlasov. Humoresque. For Accordion TRIO
V.Vlasov. Spring Song (*Vesnyanka)	V.Vlasov. Riding Troika	V.Vlasov. 1) At the Evening Party; 2) At the Fair	V.Vlasov. Fantasy on a Ukrainian Folk Song "Vzyav By Ya Banduru"
V.Vlasov. Variety and Jazz Compositions for Accordion. Volume 1	V.Vlasov. Variety and Jazz Compositions for Accordion. Volume 2	V.Vlasov. Variety and Jazz Compositions for Accordion. Volume 3	V.Vlasov. Variety and Jazz Compositions for Accordion. Volume 4
V.Vlasov. Compañeros	V.Vlasov. Shepherd's Tunes	Victor Vlasov. Pedagogical Repertoire of Accordion (Bayan) Player Volume 2	Victor Vlasov. Variety-Jazz Compositions for Bayan (Accordion)
Victor Vlasov. Pedagogical Repertoire of Accordion (Bayan) Player	Volodymyr Murza Plays. Volume 1. Pieces by Victor Vlasov for Bayan	Victor Vlasov. Five Views on GULAG State	Victor Vlasov. Variety-Jazz Compositions for Accordion. Volume 1-2
Victor Vlasov. Concert Triptych on the theme of the painting "The Last Judgement" by Hieronymus Bosch	Victor Vlasov. Concert Pieces for Bayan and Accordion	Victor Vlasov. Scherzo on a Theme by J.S.Bach	Victor Vlasov. Album for Children. For accordion (bayan)
Victor Vlasov. Children Album	Victor Vlasov. Pieces for TWO accordions	Victor Vlasov. Compositions for Bayan (Accordion) with chamber orchestra and with ensemble	Victor Vlasov. Suite for Bayan
V.Vlasov. Nocturne	Victor Vlasov: 1) In Labyrinths of Soul, or Terra Incognita; 2) Telephone Conversation (the Man & Woman); 3) In Constellation of Centaurus	Victor Vlasov. Music for Children and Youth	V.Vlasov. A Sheet from Parisian Album
V.Vlasov. Two pieces from Children Album	V.Vlasov. Game of the Wind and the Sea Wave	V.Vlasov. Paraphrase on a Ukrainian Folk Tune	Barry Mason / Les Reed. The Last Waltz. Transription by V.Vlasov
V.Vlasov. Odessa Rap	V.Vlasov. Sounds of Jazz	V.Vlasov. It's Holiday Today	V.Vlasov. Footprints on the Snow
V.Vlasov. Brahms's Smile	V.Vlasov. 1) At the Fair 2) At the Evening Party	V.Vlasov. Little suite "Thumbelina"	V.Vlasov. "Where the Blue Mountains are...". Shepherds Tunes
V.Vlasov Thumbelina. Easy pieces for Accordion	V.Vlasov 1) Phantasy on "Bread-rings" (*Bublichki). For Accordion & Clarinet 2) The Odessa Patio. For Accordion & Clarinet	V.Vlasov. 1) Impromptu in E flat Minor; 2) Variations on Ukrainian Folk Song "Oy, Za Hayem, Hayem"	V.Vlasov Girls from Odessa. For Accordion and Bandura
V.Vlasov. At the Fair	V.Vlasov. Bossa Nova	V.Vlasov. 1) Odessa Album Leaf; 2) Infinito. For Accordion and and Chamber ORCHESTRA	V.Vlasov. In the Constellation of Centaurus. For Accordion DUO