Sheet music for Bayan / Accordion / Accordeon published
in Ukraine and Russia



available
_______

Victor Vlasov. Concert Pieces for Bayan and Accordion

Language: Ukrainian-English.
Number of pages: 36

Difficulty level: Beginner - Intermediate - Advanced

Click to download demo pages Here's zipped demo in JPG format

Content:

V.Vlasov. Concert Triptych
V.Vlasov. Improvisation and Toccata Video of this piece bellow on page

*Price: 10 €

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Sheet music with compositions by Victor Vlasov for Bayan / Accordion / Accordeon / Akkordeon / Fisarmonica / Harmonica / Harmonika / Harmonikka:

Victor Vlasov.
Pedagogical
Repertoire
of Bayan (Accordion)
Player
Volume 2
Victor Vlasov.
Variety-Jazz
Compositions
for Bayan
(Accordion)
Victor Vlasov.
Pedagogical
Repertoire
of Bayan (Accordion)
Player
Volodymyr Murza
Plays.
Volume 1.
Pieces
by Victor Vlasov
for Bayan
Victor Vlasov.
Five Views
on GULAG
State
Victor Vlasov.
Variety-Jazz
Compositions
for Accordion.
Volume 1-2
Victor Vlasov.
Concert Triptych
on the theme
of the painting
"The Last
Judgement"
by Hieronymus Bosch
Victor Vlasov.
Concert Pieces
for Bayan
and Accordion
Victor Vlasov.
Variety and
Jazz Compositions
for Accordion.
Volumes 1-4
Victor Vlasov.
Album for Children.
For bayan (accordion)
Victor Vlasov.
Children Album
Victor Vlasov.
Pieces
for TWO
accordions
Victor Vlasov.
Compositions
for Bayan
(Accordion)
with
chamber orchestra
and
with ensemble
Victor Vlasov.
Suite for Bayan
Vladimir Besfamilnov
Plays.
Pieces for
Free Bass Bayan
Victor Vlasov.
In Labyrinths
of Soul,
or
Terra Incognita
Victor Vlasov.
Music
for Children
and Youth
Modern Concert Repertoire
for Button Accordion.
Edited and compiled
by Oleg Sharov


Video demo: Victor Vlasov. Improvisation and Toccata. Performed by Alexander Orlov


Video demo: Victor Vlasov. Improvisation and Toccata. Performed by Volodymyr Murza
(Piece starts at 0:37)


The pieces by a famous Ukrainian composer Viktor Vlasov represented here are quire recent, but they already became repertoire ones. There were two main reasons for this. The first is that both of the pieces were obligatory at prestigious in Ukraine accordion players contests. "Improvisation and toccata on theme AACE" on Kryvbas Cup-2001, and "Concerto triptych" on contest named after Voyevodins dynasty (Lugansk 2002).
The second reason to draw performers' attention to these pieces was that they both are connected to names of outstanding bayan players. Besides, this connection appears to be an old good method have been used by a classic, when initial or full composition of letters in a name or surname makes its theme (or its core).
So, composing theme , the author used first four letters of A. A. Semeshko's name, surname,

and the name of his father. It was A. A. Semeshko to whom contest "Kryvbas Cup" appreciate its existence".
Analogously, names of the founders of dynasty Viktor Ivanovich Voyevodin, his sons Vyacheslav and Yuriy were used in the thematic of Voyevodin triptych. One must note, not only the Roman alphabet was used, but the Cyrillic alphabet also.
For example, letters of name of Vyacheslav Vasylyivich Voyevodin were coded in the theme of the second part:

The both pieces appears to be the music which can be expressed only through bayan playing. The range of its expression is great here, it embraces pathetic moving of soul, and irrepressible pressure as well as volition and virtuosity.
These pieces were first performed by a famous Ukrainian bayan player Volodymyr Murza.

A.Semeshko, O.Kmit


Sheet music from the series "CONCERT PIECES FOR BAYAN OR ACCORDION" for Bayan / Accordion / Accordeon / Akkordeon / Fisarmonica:

click to go to page - Accordion on the concert stage. Volume 1
Oleksandr Tchuev
Concert pieces
for bayan
and accordion
Volodymyr Galchansky
Concert pieces
for bayan
and accordion
Oleksandr Sapalov
Concert pieces
for bayan
and accordion
Yevhen Kurayev
Concert pieces
for bayan
and accordion
Victor Vlasov
Concert pieces
for bayan
and accordion
Victor Gubanov
Concert pieces
for bayan
and accordion
Volodymyr Zubytsky
Concert pieces
for bayan
and accordion
Vol.I-II

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